Toutes peintures ā l'huile d'MANTEGNA, Andrea


ID Image Painting(From A to Z)    Details 
33408  
MANTEGNA, Andrea, Agony in the Garden
 
 Agony in the Garden   mk86 c.1460 Tempera on wood 63x80cm London,National Gallery
8046  
MANTEGNA, Andrea, Agony in the Garden (detail) sg
 
 Agony in the Garden (detail) sg   c. 1459 Tempera on wood National Gallery, London
8045  
MANTEGNA, Andrea, Agony in the Garden dth
 
 Agony in the Garden dth   c. 1459 Tempera on wood, 63 x 80 cm National Gallery, London
8054  
MANTEGNA, Andrea, Ceiling Oculus sg
 
 Ceiling Oculus sg   1471-74 Fresco, diameter: 270 cm Camera degli Sposi, Ducal Palace, Mantua
33409  
MANTEGNA, Andrea, Dead Christ
 
 Dead Christ   mk86 c.1480 Tempera on canvas 66x81cm Milan, Pinacoteca di Brera
8052  
MANTEGNA, Andrea, Parnassus sg
 
 Parnassus sg   1497 Canvas, 160 x 192 cm Mus??e du Louvre, Paris
33366  
MANTEGNA, Andrea, Portrait of  Cardinal Lodovico Trevisano
 
 Portrait of Cardinal Lodovico Trevisano   mk86 c.14591469 Tempera on wood 44x33cm
8047  
MANTEGNA, Andrea, Portrait of a Man ag
 
 Portrait of a Man ag   c. 1460 Wood National Gallery of Art, Washington
32524  
MANTEGNA, Andrea, Recreation by our Gallery 01
 
 Recreation by our Gallery 01   mk79 About 1459
32523  
MANTEGNA, Andrea, Recreation by our Gallery 02
 
 Recreation by our Gallery 02   mk79 1497
42917  
MANTEGNA, Andrea, Samson and Delilah
 
 Samson and Delilah   mk170 1495-1500 Tempera on linen 47x36.8cm
32525  
MANTEGNA, Andrea, San Sebastiano
 
 San Sebastiano   mk79 1476-1477, olio su tela trasportato su tavola
32387  
MANTEGNA, Andrea, St George
 
 St George   c. 1460 Tempera on panel, 66 x 32 cm
8049  
MANTEGNA, Andrea, St Sebastian sg
 
 St Sebastian sg   1456-59 Panel, 255 x 140 cm Mus??e du Louvre, Paris
8048  
MANTEGNA, Andrea, St Sebastian sgy
 
 St Sebastian sgy   1457-58 Wood, 68 x 30 cm Kunsthistorisches Museum, Vienna
8056  
MANTEGNA, Andrea, Suite of Cardinal Francesco (detail) ag
 
 Suite of Cardinal Francesco (detail) ag   1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
8044  
MANTEGNA, Andrea, The Adoration of the Shepherds sf
 
 The Adoration of the Shepherds sf   c. 1451-53 Tempera on canvas tranferred from wood, 40 x 55,6 cm Metropolitan Museum of Art, New York
8057  
MANTEGNA, Andrea, The Court of Mantua (detail) ef
 
 The Court of Mantua (detail) ef   1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
8055  
MANTEGNA, Andrea, The Court of Mantua (detail) g
 
 The Court of Mantua (detail) g   1471-74 Fresco Camera degli Sposi, Ducal Palace, Mantua
33410  
MANTEGNA, Andrea, The Gonzaga Family and Retinue finished
 
 The Gonzaga Family and Retinue finished   mk86 1474 Fresco,600x807cm Mantua,Palazzo Ducale, Camera degli Sposi
8051  
MANTEGNA, Andrea, The Lamentation over the Dead Christ st
 
 The Lamentation over the Dead Christ st   c. 1490 Tempera on canvas, 68 x 81 cm Pinacoteca di Brera, Milan
8050  
MANTEGNA, Andrea, The Madonna of the Cherubim sg
 
 The Madonna of the Cherubim sg   c. 1485 Panel, 88 x 70 cm Pinacoteca di Brera, Milan
32390  
MANTEGNA, Andrea, View of the West and North Walls
 
 View of the West and North Walls   1465-74
8053  
MANTEGNA, Andrea, View of the West and North Walls sg
 
 View of the West and North Walls sg   1465-74 Camera degli Sposi, Ducal Palace, Mantua

MANTEGNA, Andrea
Italian Early Renaissance Painter, ca.1431-1506 Italian painter and printmaker. He occupies a pre-eminent position among Italian artists of the 15th century. The profound enthusiasm for the civilization of ancient Rome that infuses his entire oeuvre was unprecedented in a painter. In addition to its antiquarian content, his art is characterized by brilliant compositional solutions, the bold and innovative use of perspective and foreshortening and a precise and deliberate manner of execution, an aspect that was commented upon during his lifetime. He was held in great esteem by his contemporaries for his learning and skill and, significantly, he is the only artist of the period to have left a small corpus of self-portraits: two in the Ovetari Chapel; his presumed self-portrait in the Presentation in the Temple (Berlin, Gemeldegal.); one in the Camera Picta (Mantua, Pal. Ducale) and the funerary bust in his burial chapel in S Andrea, Mantua, designed and probably executed by himself. His printmaking activity is technically advanced and of great importance, although certain aspects of the execution remain to be clarified.



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